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The text is a village. Such villages,

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发表于 2018-7-8 14:27:14 | 显示全部楼层 |阅读模式
The text is a village. Such villages, in China, are thousands of thousands. In Chaoshan Plain, such villages have not been special in the past. Today, however, it has attracted many writers' eyes, and has come to the village near the Hanjiang River to write in Chaozhou and Shantou. What is the charm of this? What are the mysteries?
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The answer is very simple. This is culture. It is the power and charm of culture that attracts these writers. The culture here is not only in the village of a few thousand people, but there are 36 ancestral temples, the village has the library, the exhibition hall, the English music and dance team, the carp dance team, the tide band and so on. The culture here is also condense on the family ancestral hall, the house and the courtyard, and the plaque on the top of the family. Shigu and tie Posts behind the front of the house are flowing through the ancient streets of stone and stone, and penetrate into all the blood and morals and behavior of all the people. It is the culture that intertwined with the history and reality, the tradition and the modern, both the content and the form, the rules and all Cheng Fangyuan's culture, which makes the writers excited and open. Thus, there is a collection of essays called "boiled wine", which has a variety of insights and displays of cultural forms.

Guo Xiaodong is the Chaoshan people, and recently a series of novels of the Chaozhou and Shantou family have come out, so he has a profound cultural taste. "The tradition of the article is not diluted by time, the ancestral temple, the temple and all kinds of ancient remains, maintaining and restricting the speed of modernization." Although it can not be a pure land of pure land, it has a heavy traditional kowing, the custom of the local Chinese courtesy and the remnants of the gods.

Wen Yuanhui's "autumn to the text", with poetic, gentle, emotional and emotional characters, focuses on writing a Lane called "rattan lane" in Wen Li village. The ancient lane built in the Southern Song Dynasty during the Li Zong Dynasty has a history of more than 800 years. It is a legend, a symbol, more like a time tunnel, connecting history, present and future. Therefore, I am wandering in the ancient alley, bathed in the sunset of the autumn, and stroking the wall of the earth with the vicissitudes of the earth. The author naturally has a feeling of emotion and imagination, associating with the past and present life of the ancient village. Yes, this is the dialogue with history in silence, and the memory of childhood and the beauty of nostalgia in the thick of culture.

Xiao Jianguo is different from Wen Yuanhui. His point of writing is not the ancient alley, but the ancestral hall. The ancestral hall is located in the villages of Chaoshan Plain. It is a symbol of authority, mystery and law. But surprisingly, in the village of Wen Li, there are 36 ancestral halls. This is not only rare in Chaozhou and Shantou, but also in the whole country. Xiao Jianguo is worthy of a novel. Not only did he describe the external environment of the ancestral shrine, the internal structure and pattern, but also the history and stories buried behind the ancestral temple, and in the meantime, a lot of life details were inserted. In the natural and simple way, people witness the vicissitudes of history.
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Tian Ying's writing is a little "crafty". His attraction is a man's expression.  From the broad face of the village secretary, Xie Qiuqiang, he was smiling, from the gentle "facial muscles", the "friendly and friendly" eyes, and the "no exception". It is from these natural and innermost folk rituals that Tian Ying saw a long history of culture, with a small view, and a glimpse of "the appearance of Chaozhou and Shantou" from "the spot in the text".

Compared with Tian Ying's "point" and "face", Ai Yun is "panoramic" writing. An essay of 4.5 thousand words shows her serious writing and deep thinking. In this essay, "country Apocalypse", Ai Yun was written with her poetic writing and human nature, from the ancestor of the surname in the Southern Song Dynasty, the Chaozhou road chief Xie Hui Shan, and the prince and princess. Of course, Ai Yun's attention is still modern. It is the problem of ecological environment in Chinese rural areas, witnessing the role of civilizing education in correcting the role of people in the world.

The writing of Sasa in the East always seems to be inseparable from perfume. So when you pick up the wind in the article, you can't forget to bring a bottle of Naxi. And when she was brought to the article by the fragrance, it was gentle and sweet and full of paper. Moreover, the peony aroma actually flew over the old building beams and went to embrace the peony flowers symbolizing the "rich and virtuous". This is a writer's fantasy, but also a reflection of reality.
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Huang Guoqin's, Xie Qiuqiang's and Li Yuqun's essays also have their own merits in boiling wine, which is worth reading. Huang Guoqin's heroic song in the thousand autumn articles shows heroic in soft warmth. Although Xie Qiuqiang is the leader of Wen Li village, his prose, his emotion, artistic conception and elegance are no less inferior to writers. Li Yuqun, a native essayist in Chaozhou, has a persistent and unique understanding of rural culture. It is worth mentioning that the book also entered the dialogue between Zhang Jianyu, the beginning and Huang Guoqin about how to express the country in the present literature, and there are no lack of wonderful views in the dialogue.

Wen is a village with a fairly high degree of modernization. It is also a village with distinct characteristics and profound cultural accumulation. There are many implications for the construction of new countryside in China. For example, how to re understand the work of the squire and the "old hall" in stabilizing the rural order.

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